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  Suchitra Sen
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Suchitra Sen

"The unforgettable pair of Suchitra Sen and Uttam Kumar became the epitome of cinematic romance—creating a sparkling screen magic that Bengali cinema has not seen again.” Suchitra Sen is the most admired Bengali actress ever seen. This beloved lady explodes the stage with her outstanding beauty; dignity and strong intellect which win her the name ‘golden lady in Bengali movie’.

 
   
 

Her delicate splendor, her aptitude and her huge success in box office, above all her on-screen combination with late Uttam Kumar, awarded her as a celebrity of Bengal. She actually fashioned an icon of tragic heroine in Bengali Cinema. She is absolutely a trendsetter. Suchitra Sen was the foremost Indian artist honored in an international film festival. She rewarded the Best Actress award for ‘Saat Paake Bandha’ in 1963 Moscow film festival. Her debut film was in 1953 – the unreleased ‘Saat Number Kayedi’. She performed in Hindi films as well. The following year she acted with Uttam Kumar for the first time in Sharey Chuattar.

 
 

They were on the way to be the emblem of Bengali romantic melodramas for the next twenty years. Several remarkable films of the duo comprise Shap Mochan (1955), Sagarika (1956), Harano Sur (1957), Saptapadi (1961), Bipasha (1962) and Grihadah (1967). One of Suchitra's celebrated presentations was in Deep Jweley Jai (1959). But possibly Suchitra's greatest

Suchitra Sen
 

achievement was Saat Pake Bandha (1963). Suchitra's Hindi Cinemas were also extremely successful. Her foremost Hindi picture was Devdas (1955) where she had the lead role of Parvati. It was her delicately perfect presentation that gives the movie its essential quality of superior virtue, gracious surrender and steadfast loyalty.

 
 

Her other Hindi films are Musafir (1957), Champakali (1957) Bombay ka Babu (1960) and many more. In Mamta (1966), based on the film Uttar Falguni, we have seen her notable presentation as a mother, a courtesan, a daughter, a lawyer, at the same time. She made an enormous impact in Gulzar's Aandhi (1975) as an influential lady politician.

 
   
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